1. WEEK 2.5

    The idea came to me while lying awake in bed staring at the dusty ceiling fan. My ah ha moment birthed a typographical algorithm for each piece I was to create. I quickly found a need to measure every pen stroke as I got down to sketching the first draft.

    I began with a base fish fold. Then took on the frog fold. I practiced. And practiced. First on 8.5” x 8.5” office paper and later graduated to 17” x 17” thicker student grade paper. The base fold patterns really intrigued me. The symmetry and the creased thick paper felt right. Thin origami specialty paper is normally used for the folds. But I wanted to go with thicker paper for a more strained pattern. 
    The first piece, Triple-A, consists of the letter “A” mirrored and repeated. The piece on the right reads, Piece Of Shit. The diptych refers to the triple-A rating Bear Stearns’ mortgage backed securities received from the rating agency, Moody’s. The firm referred to these as a Piece of Shit in internal emails. 
    The slightest lapse would wipe away 4+ hours of progress. This happened so many times. I’ve had a lot on my mind recently and this is part of the reason why I took on making origami patterns in the first place. It’s a cathartic process. 
    What I created this past week.5 is oddly in line with the targets that I brought to the residency already in production. In working out of Fresh Milk’s studios I am surrounded by an ocean of fractals. Repeating patterns are everywhere. It provides amazing inspiration for where this series is going. Maybe this is the common thread holding everything together. 
     
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    "Creating from the heart of the Barbadian countryside is unlike anything I have experienced. Birds, wind chimes, cows,...
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